A publication of Brunico Communications Ltd

Archive: May 5, 1997
Advertising Supplement: Silicon Graphics Computer Systems: Silicon Graphics unleashes the power to creativity and insight: Effects & Animation
Vancouver crew crunch
The Sleep Room: Wheeler wins praise
PolyGram: EC to take case to WTO
Manitoba leading the pack
Exhibition: Boffo screen build
The Cannes plan
At Press Time
Possible downside to new training cash
Openings: Cockroach makes $1,000
News Briefs
Independent production list addendum
Letters: Only in Canada? Pity!
Comment and Opinion: YTV's achievement
Correction
Editorial
Journal
Advertising Supplement: Silicon Graphics Computer Systems: Silicon Graphics unleashes the power to creativity and insight: Training
News Briefs
New casters fuel Alberta production
D'Amours resigns Quebec prod. association
Advertising Supplement: Silicon Graphics Computer Systems: Silicon Graphics unleashes the power to creativity and insight: Broadcast
News Briefs
Programming
Advertising Supplement: Silicon Graphics Computer Systems: Silicon Graphics unleashes the power to creativity and insight: Traditional Animation
Major reorganization: Malofilm becomes Behaviour
News Brief: Annecy
Canadians rev up for first ANIFX conference
Hitting The Screens: Website an 'extension' of alt.rec.death
International buyers skedded for Short Film Fest
Alpert fete highlights CSC awards
Kingsborough Greenlight to double feature slate
News Briefs
Service helps douse fear of fire on set
Medallion gets new audio box, full folio studio
Network
All-in-one system will soon be in Play
Word: Cuppa Coffee g'es live-action
Commercial Directions: Jones Chronicles 3-day Houston shoot
Storyboards: To boldly go where no condiment has gone beforeŠ
Canadians escape Mousecleaning
Ontario Scene: Sullivan's got a plethora of projects in development
Quebec Scene: Videofilms shoots true-to-life immigration saga Le Polock
B.C. Scene: Kissed by success: Stopkewich film makes necrophilia pay
Special Report on Distribution and Exhibittion: Producers seek a little ingenuity
Special Report on Distribuition and Exhibition: Theatre executives gather for ShowCanada confab
Special Report on Distribuition and Exhibition: Alternative circuits
Special Report on Investment and Finance: CTCPF's role 'skyrockets' as domestic financing is tightened
Special Report on Investment and Finance: Binchmarks: New CAVCO rules take tougher line
Special Report on Investment and Finance: National sources of investment, funding

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Toronto
Nelvana, Trickcompany deal targets adult toons
by: May 5, 1997 Print

Keeping a close eye on the growing adult animation market internationally, Nelvana is expanding its relationship with burgeoning German film producer Trickcompany. No formal announcement from Nelvana so far, but executive vp Clive Smith confirms that two theatrical coproductions are "very likely." Trickcompany is the German portion of the three-way coproduction behind the Pippi Longstocking feature and series.

Babar and Barbarella are the two projects being negotiated. Nelvana has already had international success with a children's tv series based on the Babar books by French writers Jean and Laurent de Brunhoff.

Barbarella, based on a comic strip and the 1968 cult classic with Jane Fonda, would bring Nelvana further into the realm of toons for grownups, especially theatrically. Trickcompany has been burning up the German box office with quasi-vulgar adult animated features such as Werner ­ Eat My Dust!! and The Little Asshole.

"It's a slight change of pace for us," says Smith, "although we are recognizing the shift in the market and the new audience interest in animation. Barbarella is a real classic, and it d'es belong to us in the sense that we're becoming known for translating well-known characters."

Smith also confirmed that budget figures which have been floated ­ $7 million for Barbarella and $4 million for Babar ­ are accurate.

According to Smith, Nelvana hopes the two features will herald a long-term, ongoing relationship with Trickcompany.

"We really enjoy working with them. We're very much on the same level in terms of quality, type of production, type of animation, and in terms of working with new technology." MEA



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